Quick thoughts: A tender, intimate and painful love story that perfectly captures the turmoil of youthful emotion and self-discovery.
Sometimes it takes a bit of sensational press to grab people’s attention. Such was the case when the film adaptation of Blue is the Warmest Color (La vie d’Adèle) won the Palme d’Or at Cannes earlier this year, and I’m perhaps a little ashamed to admit that my ears perked up on account of the flurry of publicity. Then again, it’s not every day that squeaky-clean Steven Spielberg puts his image on the line to unreservedly praise a film which was largely overshadowed by strong reactions to its graphic lesbian sex scenes. In a way, you could even say that Steven Spielberg drove me to read this book, because I felt compelled to find out what sort of story would cause him to gush over the movie adaptation.
After reading the novel for myself, one thing I can say is that it’s definitely worth the buzz. Julie Maroh is an exceptionally talented artist, and her ability to convey emotional tension and sexual desire is uncanny. Were this a written novel, I don’t think it could pack half the punch of just one of these panels. This is a story perfectly suited to the graphic novel format, but also one executed with rare style and an eye for what matters. And although some of the panels certainly ensure the “graphic” part of this novel, I would never describe the art as gratuitous. Despite the nudity and sexual content, the depictions are never lurid or prurient. In fact, they fit so extraordinarily well with the contours of the story that they are expected and, quite frankly, feel altogether natural.
Another element that really won me over was the title. Can I just admit to loving the ambiguity? It’s wonderful because it doesn’t make sense, and things which don’t make sense immediately arouse my curiosity. Blue is the warmest colour, you say? On what basis can you even begin to make that claim? But start reading the story and you will quickly realize that blue is the colour of desire in this tale; it’s the warmth of love and the burning of passion. The drawings are also done in a muted style with greens and browns as the main palette, which makes the blue pop out in electrifying contrast.
What also makes the title work is that blue isn’t the warmest colour – at least not in a conventional sense. And the love story here, of course, is not conventional either. It’s all about a young girl struggling with the undeniable fact that she is a lesbian. The emotional turmoil is almost unbearable even in the reading, and one of the panels — an illustration of this young woman on the funeral pyre like Joan of Arc, surrounded by a group of KKK members — evokes the feeling of this stigma in painful detail. And yet, despite the unconventional nature of her love, the emotions on display are universal. This is a story of true love, even if the packaging is a bit different.
Blue is the Warmest Color is one of those books which makes you feel enlightened after the fact, as though you’ve really walked a mile in someone else’s shoes and can now approach a culturally loaded topic with some modicum of sympathy. It’s a compelling story in its own right, and deserving of all the accolades being thrown its way. Arsenal Pulp Press also did an incredible job in publishing this graphic novel, and I would be remiss not to point it out. The glossy cover is enough to grab anyone’s attention from the get-go, but I was totally impressed with every aspect of the finished product. It’s always nice to see a publisher pay such attention to the small details. Definitely recommended.
If you want to take a peek at the artwork, Arsenal Pulp Press has an excerpt posted on their website.
Originally published in French as Le bleu est une couleur chaude, Blue is the Warmest Color is a graphic novel about growing up, falling in love, and coming out. Clementine is a junior in high school who seems average enough: she has friends, family, and the romantic attention of the boys in her school. When her openly gay best friend takes her out on the town, she wanders into a lesbian bar where she encounters Emma: a punkish, confident girl with blue hair. Their attraction is instant and electric, and Clementine find herself in a relationship that will test her friends, parents, and her own ideas about herself and her identity.
First published in French by Glénat, the book has won several awards, including the Audience Prize at the Angoulême International Comics Festival, Europe’s largest.
The live-action, French-language film version of Blue Is the Warmest Color won the Palme d’Or at the Cannes Film Festival in May 2013. Directed by director Abdellatif Kechiche and starring Lea Seydoux and Adele Exarchopoulos, the film generated wide praise as well as controversy for its explicit scenes. It will be released in North America in the fall of 2013 through Sundance Selects/IFC Films (USA) and Mongrel Media (Canada) as well as other countries around the world, including the UK and Ireland (Artificial Eye) and Australia (Transmission Films).